Toutes peintures ā l'huile d'Gaudenzio Ferrari


ID Image Painting(From A to Z)    Details 
42991  
Gaudenzio Ferrari, Christ Rising From the Tomb
 
 Christ Rising From the Tomb   mk170 1535-1450 Oil on poplar 152.4x84.5cm
85149  
Gaudenzio Ferrari, Christ rising from the Tomb
 
 Christ rising from the Tomb   Medium Oil on poplar Dimensions Height: 152.4 cm (60 in). Width: 84.5 cm (33.3 in). cjr
89482  
Gaudenzio Ferrari, Christ rising from the Tomb
 
 Christ rising from the Tomb   oil on poplar Dimensions Height: 152.4 cm (60 in). Width: 84.5 cm (33.3 in). cyf
1209  
Gaudenzio Ferrari, The Annunciation  7
 
 The Annunciation 7  

Gaudenzio Ferrari
1741-1546 Italian Gaudenzio Ferrari Location Italian painter and sculptor. He probably received his training at Varallo at the beginning of the 1490s, a lively period in the town artistic life, when extensive works were being carried out at the sacromonte. His master was Gian Stefano Scotto ( fl 1508), none of whose works has as yet been identified but who, judging from the early work of his pupil, may have been influenced by Lombard artists. Gaudenzio early works, such as a painting on panel of the Crucifixion (Varallo, Mus. Civ. Pietro Calderini), were influenced by the poetic art of Bramantino and by the northern Italian classicizing style of the Milanese painter Bernardo Zenale. His early, but self-assured, Angel of the Annunciation (c. 1500; Vercelli, Mus. Civ. Borgogna), painted for the Convento delle Grazie, Vercelli, suggests that these sources were soon enriched by his response to the tender Renaissance style of Pietro Perugino (active at the Certosa di Pavia, 1496-9). Gaudenzio is also recorded at Vercelli in the first known documentary reference to him, the contract for a polyptych commissioned by the Confraternit? di Sant Anna in 1508, with Eusebio Ferrari acting as guarantor. There remain four paintings of scenes from the Life of St Anne and God the Father (Turin, Gal. Sabauda) and two of the Annunciation (London, N.G.). In these works Gaudenzio style is more controlled, possibly as a result of a journey to central Italy in c. 1505.



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